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  1. Analysis: How to Tune a PA System for Live Sound
  2. Moving from Discord to Mighty Networks
  3. How Robert Scovill Got Fired by John Cougar Mellancamp and Hired by Prince
  4. What do all of those squiggly lines mean? (a short intro to the graphs in Smaart)
  5. How To Find Work And Become A Freelance Sound Engineer
  6. Why Andrew Stone Only Mixes For Himself
  7. Stop Smaarting the Sound System
  8. 6 Most Popular Training Videos on Sound System Tuning
  9. How Jamie Anderson Saves Time in System Tuning with Smaart Check Points
  10. Why is wireless so hard?!
  11. Recovering from Burnout and Avoiding Overwhelm
  12. Get On Tour – Download FREE for 1 week
  13. Guerrilla Mixing
  14. Tomas Wolfe and the FOH/MON Facebook Group
  15. Quick Monitor Mixes – guerrilla style
  16. You might be guerrilla mixing, if…
  17. Why Touring Sound Engineers Are Getting Paid Less
  18. Mixing Monitors for Tears for Fears
  19. Essential Live Sound Training with Scott Adamson [REVIEW]
  20. Dan Dugan and the Birth of the Automatic Microphone Mixer
  21. Bobby Owsinski: Why Do Concerts Sound So Bad?
  22. How to build your own audio analyzer (like Smaart) for FREE
  23. Simple Ideas to Improve Acoustics in Recording Studios and Concert Halls
  24. FOH Mixing: EQ it till it sounds good
  25. Smaart is just a tool. You are the analyzer.
  26. This is why I no longer recommend turning one sub off to fight power alley
  27. Download the DiGiCo Session Setup Checklist
  28. Top 5 Common Mistakes When Using a DiGiCo Console
  29. I want to build a marketplace for corporate AV techs
  30. Everything I Feared about Digico Consoles Is Wrong
  31. Get More Work as a Live Sound Engineer by Doing What No One Else Will
  32. 5 Pro Drummers Explain How to Make a Drum Kit Quieter on Stage
  33. Review of Live Sound Basics
  34. Best Free and Paid Online Training Webinars, Courses, and Certifications for Live Sound Engineers
  35. This Is How to Find the Perfect Show Volume Without an SPL Meter
  36. My Results from 30 Days of Ear Training
  37. Get Booked Solid in Pro Audio
  38. How Anthony Went From Warehouse Tech to FOH Mixer For Cirque Du Soleil
  39. This Marketer Will Make You Look at Your Career Totally Differently
  40. How Much Do Live Sound Engineers Make?
  41. How To Become A Sound Engineer
  42. Where do clients come from?
  43. How to Be a Self-Starter in the Audio Industry
  44. 9 Tips for Easy In-Ear Monitor Setup
  45. Americans Like a Lot of Bass
  46. One Simple Tool to Find the Right Size Speaker for Any Space
  47. Inside Pro Audio Workshop: Seeing Sound
  48. Get 12 Weeks of Coaching in 5 Minutes
  49. Find a Live Sound Engineer Anywhere in the World
  50. Lively start to ‘Surviving to Thriving’ coaching course
  51. Where do I put the measurement microphone?
  52. Audio Calculators for Sound System Tuning
  53. How to Find Polarity Problems Ruining Your Sound System
  54. 3 Phase Alignment Hacks to Make Your Sound System Tuning Easier
  55. This Is Why You Are Over EQing
  56. Meet ZOID, the sound system tuning chatbot
  57. 110 Questions about Sound System Tuning – Pt. 4
  58. Create an Explosion of Reverb for Magical Song Transitions
  59. The Amazing Capacity and Limitation of the X32 with Drew Brashler
  60. Use a Ducker to Get Your Vocals (and your kick!) in the Pocket
  61. Give Me MORE Kick! This effect saved the day.
  62. How to Update Snapshots on the SD5 in the Middle of a Show
  63. Make Space for Bass in Your Ableton Live Mixes
  64. Help, I can’t hear the vocal! Waves Vocal Rider Plugin to the rescue.
  65. 110 Questions about Sound System Tuning – Pt. 3
  66. 110 Questions about Sound System Tuning – Pt. 2
  67. 110 Questions about Sound System Tuning – Pt. 1
  68. Mauricio Ramirez: Trust your ears, not just the audio analyzer
  69. How to Mix Intuitively Using Daily Ear Training Games
  70. How to Become a World Class Audio Engineer (if I had to start all over)
  71. Mixing Monitors from FOH: 17 lessons I learned from Grealy at Soulsound
  72. 3 Simple Ways to Phase Align Main+Sub with SATlive
  73. Live Training Webinar: Gigs on Demand
  74. Do you want a job as a touring FOH sound engineer? You need to hear this.
  75. Behind the Scenes of the Ringling Brothers Circus Sound System
  76. Top 5 Posts of 2016
  77. SATlive + Thomas Neumann: Sound system tuning with a single measurement microphone
  78. SIM3 is easy. The hard part is figuring out what to do with that data.
  79. Circus Touring with 21 Channels of Sim 3 Audio Analyzer
  80. My two favorite features of the Digico SD5 faders
  81. Emergency Digico SD5 Optocore Procedures
  82. Start offering podcast production services to your clients
  83. Position Yourself for Non-stop Touring as a Stage Manager and Lighting Technician
  84. Is IATSE worthwhile for sound engineers?
  85. Networking and Referral Strategy for Sound Engineers
  86. Are you a sound engineer or an artist?
  87. Content Marketing Strategy for Freelance Audio Engineers
  88. Build self-confidence for better productivity with this simple habit of relaxation
  89. Growth Hack 2016: 13-Day Career Building Challenge
  90. Silence: The secret ingredient to sound design in advertising
  91. What your parents never taught you about money
  92. Don’t sell services; sell solutions
  93. Mixing the most difficult musical on Broadway: Rock of Ages
  94. SynAudCon “How Sound Systems Work” online training REVIEW
  95. ATTENTION, MUSICIANS: You need to figure out where money is made.
  96. The easiest, cheapest, most valuable technique for long-term business success
  97. An invitation for the ambitious
  98. Turn Your iPhone into a Wireless Microphone
  99. For Live Sound Engineers: Surprisingly Simple Tips to Prevent Back Injury on the Job
  100. Get Unstuck–Permanently
  101. SPECIAL REPORT: Sound System Design for Small Venues with Bob McCarthy
  102. 11 Professional Networking Improvements You Can Make Today to Find Work in a New Niche
  103. One Critical Skill You Need to Get Stage Theatre Jobs: How Surrey University Is Training Audio Engineers
  104. The good, the bad, and the ugly of being a Tour Managing FOH Engineer
  105. How to be Unstoppable
  106. The Graveyard Shift: How Mike Rauchfleisch Built a Thriving Audio Business by Working All-night Parties That No One Else Wanted
  107. 360˚ Interactive Live Video Streaming with Zero Crew
  108. Support Sound Design Live on Patreon
  109. Control Ableton Live from your Guitar with Wireless Bluetooth
  110. How Jim Digby and the Event Safety Alliance Can Save Your Ass
  111. Use Automation to Build Relationships with a Free CRM
  112. Decimate Obstacles like Top Touring FOH Engineers
  113. The Sound Engineer’s Path Webinar
  114. Do You Have A Clear Path To Pro Audio?
  115. Get Ready! Slow August Is Right Around The Corner
  116. What a CPA, Bookkeeper, & Business Manager Can Do for Your Business
  117. The Minimalist Guide to Budgeting (for Sound Engineers)
  118. Frequency Coordination and Antenna Placement for a Rock-Solid Wireless Microphone System
  119. 3 Simple Ways That Busy Sound Engineers Can Protect Their Hearing
  120. Important Facts about Noise Induced Hearing Loss and How to Protect Yourself
  121. Merlijn van Veen and Understandable Misunderstandings
  122. How to Be a Remarkable Sound Engineer by Being Honest
  123. Sound Girls: Karrie Keyes and Michelle Sabolchick Pettinato
  124. Multi Channel Wireless Home Theater Sound Systems
  125. Conference Room Sound Design
  126. What is Audio Visual Integration?
  127. Live Sound Survival: Big Sound Out Of Small Systems
  128. Dancehall Sound System and How To Mix Music You’ve Never Heard
  129. How To Become The WORST Live Sound Engineer Ever
  130. Learn To Become A Recording Engineer Online
  131. One Simple Reason I Chose To Be An Audio Engineer Major
  132. Balls Of Steel: 10 Surprising Tips For Live Audio Engineer Training
  133. Learn A Language And Get A Job 5 Times Faster
  134. Keep Calm and…Too Late: the Concert from Hell
  135. Learn from the Sound Engineers for Tori Amos, Prodigy, and The White Stripes Online
  136. Be Your Own Attorney: The Smart Business Guide For Freelancers
  137. The Poor Man’s Galileo
  138. The Sound Engineer’s Pain-Free Guide To TurboTax
  139. Opening Up The Marketplace To Sound Engineers
  140. Save $500 On Your Taxes This Year
  141. 10 Critical Tax Questions Answered For Sound Engineers
  142. Honestly, Live Audio Is Not Based On Science
  143. 6 Smart, Proven Methods To Control Feedback Onstage (Without EQ)
  144. Kickstart This!
  145. Mixing The Biggest Festivals In Europe with Dave Swallow
  146. The Five Most Popular Posts of 2013
  147. How To Find Speaker Coverage In One Step
  148. BOOK REVIEW: Sound Systems: Design And Optimization by Bob McCarthy
  149. How To Tune A Sound System In 15 Minutes
  150. Tuning vs. Toning A Sound System
  151. Sound System Design And Optimization with Bob McCarthy
  152. Stealing Athlete Nutrition Techniques
  153. Behind Moldover’s Kickstarter Success
  154. BOOK REVIEW: Mediterranean Diet Cookbook For Dummies
  155. Healthy Eating On Tour
  156. Food And Drink At Work For Sound Engineers
  157. The State Of Sound Engineering In Greece
  158. Make A Living As A Sound Engineer, Part Two: How To Get Played
  159. Make A Living As A Sound Engineer, Part One: How To Get Paid
  160. Sound Design Live Podcast Greatest Hits Volume 1
  161. The Best Search Engines For Sound Engineer Jobs
  162. How To Automate Your Job Search
  163. Interview Tips: the S.T.A.R. Technique
  164. Beyond FOH: Job Search Advice For Sound Engineers
  165. Best Tips For Building A Career In Pro Audio
  166. Career Advice For Freelance Designers
  167. The Sound Design Live eBook Is Live!
  168. There’s No Such Thing As A Bad Microphone
  169. Condenser Microphone Review: Edwina
  170. Single Miking Groups On Stage With Condenser Microphones
  171. Condenser Microphones For Live Sound
  172. Condenser vs. Dynamic Microphones For Live Sound
  173. Sound Design Live eBook – FREE Chapter
  174. Sound Design Live Is Back!
  175. Easy Invoicing For Sound Engineers
  176. Show Networks and Control Systems
  177. From Highschool Dropout To Head Of Audio
  178. Larry Crane & Tape Op Magazine
  179. Cables Are Dead
  180. From Free To Fee – How To Incorporate Internet Streaming Into Your Live Event
  181. Laptops Do Not Make Live Sound Simpler
  182. It’s A Golden Age For Internet Broadcast
  183. Climbing The Ladder To Broadway Sound Designer
  184. Designing Without A Script
  185. Super Fun Instrument Design
  186. Turning Technology Into Performance
  187. Sound Design From The Actor’s Perspective
  188. Build A $100,000 Mixing Board
  189. How To Use Plugins with an Analog Console And Wireless Control
  190. Out Of Ideas? Just Add Reverb!
  191. Create Your Own Speaker Processing App + Sound Design Meets Computer Programming
  192. Sound Design for the Pulitzer Prize Winning Play “Ruined”
  193. FL Studio Rocks + Free Barbie Samples
  194. How To Mic An 800 Seat Theatre With Floor Mics
  195. Mixing For Emmylou Harris & Producing SXSW
  196. Use Subtitles To Reinforce Localization In Your Surround Sound Installation
  197. Perfect Club Sound – Dance Music Kills? – What is Serato?