Sound Design Live

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  1. Smaart is just a tool. You are the analyzer.
  2. This is why I no longer recommend turning one sub off to fight power alley
  3. Download the DiGiCo Session Setup Checklist
  4. Top 5 Common Mistakes When Using a DiGiCo Console
  5. I want to build a marketplace for corporate AV techs
  6. Everything I Feared about Digico Consoles Is Wrong
  7. Get More Work as a Live Sound Engineer by Doing What No One Else Will
  8. 5 Pro Drummers Explain How to Make a Drum Kit Quieter on Stage
  9. Review of Live Sound Basics
  10. Best Free and Paid Online Training Webinars, Courses, and Certifications for Live Sound Engineers
  11. This Is How to Find the Perfect Show Volume Without an SPL Meter
  12. My Results from 30 Days of Ear Training
  13. Get Booked Solid in Pro Audio
  14. How Anthony Went From Warehouse Tech to FOH Mixer For Cirque Du Soleil
  15. This Marketer Will Make You Look at Your Career Totally Differently
  16. How Much Do Live Sound Engineers Make?
  17. How To Become A Sound Engineer
  18. Where do clients come from?
  19. How to Be a Self-Starter in the Audio Industry
  20. 9 Tips for Easy In-Ear Monitor Setup
  21. Americans Like a Lot of Bass
  22. One Simple Tool to Find the Right Size Speaker for Any Space
  23. Inside Pro Audio Workshop: Seeing Sound
  24. Get 12 Weeks of Coaching in 5 Minutes
  25. Find a Live Sound Engineer Anywhere in the World
  26. Lively start to ‘Surviving to Thriving’ coaching course
  27. Where do I put the measurement microphone?
  28. Audio Calculators for Sound System Tuning
  29. How to Find Polarity Problems Ruining Your Sound System
  30. 3 Phase Alignment Hacks to Make Your Sound System Tuning Easier
  31. This Is Why You Are Over EQing
  32. Meet ZOID, the sound system tuning chatbot
  33. 110 Questions about Sound System Tuning – Pt. 4
  34. Create an Explosion of Reverb for Magical Song Transitions
  35. The Amazing Capacity and Limitation of the X32 with Drew Brashler
  36. Use a Ducker to Get Your Vocals (and your kick!) in the Pocket
  37. Give Me MORE Kick! This effect saved the day.
  38. How to Update Snapshots on the SD5 in the Middle of a Show
  39. Make Space for Bass in Your Ableton Live Mixes
  40. Help, I can’t hear the vocal! Waves Vocal Rider Plugin to the rescue.
  41. 110 Questions about Sound System Tuning – Pt. 3
  42. 110 Questions about Sound System Tuning – Pt. 2
  43. 110 Questions about Sound System Tuning – Pt. 1
  44. Mauricio Ramirez: Trust your ears, not just the audio analyzer
  45. How to Mix Intuitively Using Daily Ear Training Games
  46. How to Become a World Class Audio Engineer (if I had to start all over)
  47. Mixing Monitors from FOH: 17 lessons I learned from Grealy at Soulsound
  48. 3 Simple Ways to Phase Align Main+Sub with SATlive
  49. Live Training Webinar: Gigs on Demand
  50. Do you want a job as a touring FOH sound engineer? You need to hear this.
  51. Behind the Scenes of the Ringling Brothers Circus Sound System
  52. Top 5 Posts of 2016
  53. SATlive + Thomas Neumann: Sound system tuning with a single measurement microphone
  54. SIM3 is easy. The hard part is figuring out what to do with that data.
  55. Circus Touring with 21 Channels of Sim 3 Audio Analyzer
  56. My two favorite features of the Digico SD5 faders
  57. Emergency Digico SD5 Optocore Procedures
  58. Start offering podcast production services to your clients
  59. Position Yourself for Non-stop Touring as a Stage Manager and Lighting Technician
  60. Is IATSE worthwhile for sound engineers?
  61. Networking and Referral Strategy for Sound Engineers
  62. Are you a sound engineer or an artist?
  63. Content Marketing Strategy for Freelance Audio Engineers
  64. Build self-confidence for better productivity with this simple habit of relaxation
  65. Growth Hack 2016: 13-Day Career Building Challenge
  66. Silence: The secret ingredient to sound design in advertising
  67. What your parents never taught you about money
  68. Don’t sell services; sell solutions
  69. Mixing the most difficult musical on Broadway: Rock of Ages
  70. SynAudCon “How Sound Systems Work” online training REVIEW
  71. ATTENTION, MUSICIANS: You need to figure out where money is made.
  72. The easiest, cheapest, most valuable technique for long-term business success
  73. An invitation for the ambitious
  74. Turn Your iPhone into a Wireless Microphone
  75. For Live Sound Engineers: Surprisingly Simple Tips to Prevent Back Injury on the Job
  76. Get Unstuck–Permanently
  77. SPECIAL REPORT: Sound System Design for Small Venues with Bob McCarthy
  78. 11 Professional Networking Improvements You Can Make Today to Find Work in a New Niche
  79. One Critical Skill You Need to Get Stage Theatre Jobs: How Surrey University Is Training Audio Engineers
  80. The good, the bad, and the ugly of being a Tour Managing FOH Engineer
  81. How to be Unstoppable
  82. The Graveyard Shift: How Mike Rauchfleisch Built a Thriving Audio Business by Working All-night Parties That No One Else Wanted
  83. 360˚ Interactive Live Video Streaming with Zero Crew
  84. Support Sound Design Live on Patreon
  85. Control Ableton Live from your Guitar with Wireless Bluetooth
  86. How Jim Digby and the Event Safety Alliance Can Save Your Ass
  87. Use Automation to Build Relationships with a Free CRM
  88. Decimate Obstacles like Top Touring FOH Engineers
  89. The Sound Engineer’s Path Webinar
  90. Do You Have A Clear Path To Pro Audio?
  91. Get Ready! Slow August Is Only 6 Months Away
  92. What a CPA, Bookkeeper, & Business Manager Can Do for Your Business
  93. The Minimalist Guide to Budgeting (for Sound Engineers)
  94. Frequency Coordination and Antenna Placement for a Rock-Solid Wireless Microphone System
  95. 3 Simple Ways That Busy Sound Engineers Can Protect Their Hearing
  96. Important Facts about Noise Induced Hearing Loss and How to Protect Yourself
  97. Merlijn van Veen and Understandable Misunderstandings
  98. How to Be a Remarkable Sound Engineer by Being Honest
  99. Sound Girls: Karrie Keyes and Michelle Sabolchick Pettinato
  100. Multi Channel Wireless Home Theater Sound Systems
  101. Conference Room Sound Design
  102. What is Audio Visual Integration?
  103. Live Sound Survival: Big Sound Out Of Small Systems
  104. Dancehall Sound System and How To Mix Music You’ve Never Heard
  105. How To Become The WORST Live Sound Engineer Ever
  106. Learn To Become A Recording Engineer Online
  107. One Simple Reason I Chose To Be An Audio Engineer Major
  108. Balls Of Steel: 10 Surprising Tips For Live Audio Engineer Training
  109. Learn A Language And Get A Job 5 Times Faster
  110. Keep Calm and…Too Late: the Concert from Hell
  111. Learn from the Sound Engineers for Tori Amos, Prodigy, and The White Stripes Online
  112. Be Your Own Attorney: The Smart Business Guide For Freelancers
  113. The Poor Man’s Galileo
  114. The Sound Engineer’s Pain-Free Guide To TurboTax
  115. Opening Up The Marketplace To Sound Engineers
  116. Save $500 On Your Taxes This Year
  117. 10 Critical Tax Questions Answered For Sound Engineers
  118. Honestly, Live Audio Is Not Based On Science
  119. 6 Smart, Proven Methods To Control Feedback Onstage (Without EQ)
  120. Kickstart This!
  121. Mixing The Biggest Festivals In Europe with Dave Swallow
  122. The Five Most Popular Posts of 2013
  123. How To Find Speaker Coverage In One Step
  124. BOOK REVIEW: Sound Systems: Design And Optimization by Bob McCarthy
  125. How To Tune A Sound System In 15 Minutes
  126. Tuning vs. Toning A Sound System
  127. Sound System Design And Optimization with Bob McCarthy
  128. Stealing Athlete Nutrition Techniques
  129. Behind Moldover’s Kickstarter Success
  130. BOOK REVIEW: Mediterranean Diet Cookbook For Dummies
  131. Healthy Eating On Tour
  132. Food And Drink At Work For Sound Engineers
  133. The State Of Sound Engineering In Greece
  134. Make A Living As A Sound Engineer, Part Two: How To Get Played
  135. Make A Living As A Sound Engineer, Part One: How To Get Paid
  136. Sound Design Live Podcast Greatest Hits Volume 1
  137. The Best Search Engines For Sound Engineer Jobs
  138. How To Automate Your Job Search
  139. Interview Tips: the S.T.A.R. Technique
  140. Beyond FOH: Job Search Advice For Sound Engineers
  141. Best Tips For Building A Career In Pro Audio
  142. Career Advice For Freelance Designers
  143. The Sound Design Live eBook Is Live!
  144. There’s No Such Thing As A Bad Microphone
  145. Condenser Microphone Review: Edwina
  146. Single Miking Groups On Stage With Condenser Microphones
  147. Condenser Microphones For Live Sound
  148. Condenser vs. Dynamic Microphones For Live Sound
  149. Sound Design Live eBook – FREE Chapter
  150. Sound Design Live Is Back!
  151. Easy Invoicing For Sound Engineers
  152. Show Networks and Control Systems
  153. From Highschool Dropout To Head Of Audio
  154. Larry Crane & Tape Op Magazine
  155. Cables Are Dead
  156. From Free To Fee – How To Incorporate Internet Streaming Into Your Live Event
  157. Laptops Do Not Make Live Sound Simpler
  158. It’s A Golden Age For Internet Broadcast
  159. Climbing The Ladder To Broadway Sound Designer
  160. Designing Without A Script
  161. Super Fun Instrument Design
  162. Turning Technology Into Performance
  163. Sound Design From The Actor’s Perspective
  164. Build A $100,000 Mixing Board
  165. How To Use Plugins with an Analog Console And Wireless Control
  166. Out Of Ideas? Just Add Reverb!
  167. Create Your Own Speaker Processing App + Sound Design Meets Computer Programming
  168. Sound Design for the Pulitzer Prize Winning Play “Ruined”
  169. FL Studio Rocks + Free Barbie Samples
  170. How To Mic An 800 Seat Theatre With Floor Mics
  171. Mixing For Emmylou Harris & Producing SXSW
  172. Use Subtitles To Reinforce Localization In Your Surround Sound Installation
  173. Perfect Club Sound – Dance Music Kills? – What is Serato?