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    audio engineering education audio engineer training audio mixing live audio Bob McCarthy career advice hardware in ear monitors live sound money music phase alignment smaart software sound design sound engineer sound engineer jobs sound system design sound system tuning subwoofer alignment theatre

Authors:

  • Aleš Štefančič (2)
  • Dimitris Sotiropoulos (1)
  • Nathan Lively (316)
  • Sam Fisher (1)
  • Steve Knots (3)

Recent Posts:

  1. Political Event Production vs Concert Tours: Security, Sound, and Short Notice with Ian Mellul
  2. New Directory for AV Technicians and Managers
  3. Why Every Live Sound Engineer Should Embrace the Humble Checklist
  4. How to Buy and Sell Used Gear
  5. Don’t Align Your Subwoofer to a Room Reflection
  6. Adventures in Alignment 3: Rapid Response
  7. Adventures in Alignment #2
  8. Adventures in Alignment #1
  9. 7 Point Sub Alignment Verification Checklist
  10. Unlocking Precision in Distance-Based Crossover Alignment: 9 essential tips for accurate measurements
  11. No Technical Element Should Distract You from the Story on Stage
  12. IEM: The Recipe for Failure and How to Avoid It
  13. Sound System Setup: Why Subwoofer Crossover Alignment is Critical
  14. SubAligner Walk Through and Q&A
  15. How do we know if we have good data?
  16. Subwoofer alignment by ear??
  17. Why is the 125 Hz band so important?
  18. Sexual Harassment Is a Workplace Safety Issue
  19. How to Choose a Digital Console & Deal With Cranky Artists
  20. Stop Blindly Recommending Linkwitz-Riley Filters
  21. Nobody Cares Until the Shit Hits the Fan
  22. How to Set Subwoofer Delay (9 top brands agree)
  23. For the Best Concert Sound, Keep the LF Reverb Time Low
  24. Intro to Digital Wireless Intercom with Peter Erskine
  25. What happens if you’re not familiar with a speaker?
  26. Nothing in an audio analyzer tells you how good it sounds
  27. that moment when you realize monkeys are trying to steal your gear
  28. (remote) Home Theater Sound System Calibration with Smaart & Crosslite
  29. How to fight power alley using end-fire arrays
  30. How to phase align main to sub in Smaart, REW, Open Sound Meter, SATlive, and Crosslite
  31. How do you calculate cardioid subwoofer spacing? (gradient array)
  32. When will this ‘immersive’ fad be over?
  33. Subwoofer Alignment at The Redmoor Cincinnati
  34. EQ Your Vocal Reverb Return
  35. Single channel RTA targets to improve your mixes
  36. Do subwoofers need time alignment?
  37. d&b audiotechnik ArrayCalc vs SubAligner
  38. Know Your Audio Analyzer Averages
  39. Be Helpful From Anywhere in the World (pandemic or not)
  40. You Need A Sound System Preflight Checklist
  41. The Public Library of Loudspeaker Measurements
  42. 3 Biggest Takeaways from Live Sound Summit 2021
  43. How to Settle Arguments and Get a Job Using Prediction Software
  44. What do sub alignment sound waves look like?
  45. FOH Engineers: How to sneakily check your system tech’s work
  46. Building Virtual Mix Environments for Education
  47. How to use all-pass filters without a fancy DSP
  48. Can you remove reflections from live measurements for more accurate alignments?
  49. SubAligner vs. L-Acoustics Preset Guide (K2 + SB28, Kiva + SB15m)
  50. What we learned about the LV1 and loudness metering in DC
  51. How to Make a Stage Plot That Will Save You Time and Misunderstanding
  52. Best sound absorbing material: Rockwool, Audimute, or Furniture?
  53. The Difficult Balance of Hustle and Self-care for Live Event Technicians
  54. The 5%: Women in Pro Audio
  55. What (wo)men want: How IEM mixes differ by gender
  56. I’m Here to Make You Sound as Good as Possible
  57. Audio Analyzers: Pink Noise vs Sine Sweep
  58. Gradient vs Delta Subwoofer Array
  59. Right Now Is the Best Time to Build
  60. Gain Before Feedback Is Independent of the Level of the Talker
  61. Rog and Nathan’s 5-hour Show about End-fire vs Gradient Arrays
  62. 14 online courses on live sound mixing, RF, and system tuning
  63. The BEST subwoofer array for large concerts?
  64. Can you mix better on speakers with flat magnitude and phase?
  65. Does flipping a sub around also flip its polarity?
  66. Do cardioid subwoofer arrays work underneath a stage?
  67. 5 Things I Had to Learn When I Started Mixing IEMs
  68. You can’t predict subwoofer behavior in a room at 40Hz, but you can test it
  69. Conference Room Sound Design
  70. Compare 300 Different Microphones with Double-Blind Listening Tests from Your Own Studio
  71. Is your Dante network truly redundant?
  72. 22 Things I Learned or Overheard At Live Sound Summit 2020
  73. Use Smaart to Easily Create Your Own Personal Database of High-quality Near-Anechoic Measurements
  74. Will adding a crossover filter create better phase alignment between speakers from different families?
  75. How Dave Gunness Brought Single-Driver Cardioid Subs To Market
  76. Are you still trying to align your subwoofers with an audio analyzer?
  77. How Using Less EQ Can Stop Your Show from Sounding Horrible
  78. Can you estimate line array splay in the field without software while the riggers are waiting?
  79. 1 Graph Setting You Need to Change in Smaart for Faster EQ Decisions
  80. Can you match speakers through space and time? (🍎to🍎)
  81. Is it better to face your subs at the wall?
  82. Does every output in the signal chain need a high-pass filter?
  83. What You Should Know About Communication And Trust Between Artists And Sound Engineers
  84. Do ground stacked subwoofers really give you 6dB for free?
  85. How to take fast impulse response measurements in Smaart© without pissing people off
  86. How to develop a habit of logical troubleshooting, piece-by-piece
  87. Guess How Many Measurements Positions You Need for Proper Output EQ (it’s more than 1!)
  88. My most popular posts of 2019
  89. How far apart can I space my subwoofers?
  90. Merlijn’s Subwoofer Alignment Method Will Make You Feel like a Jedi Master
  91. Dave Rat’s End-Fire Adjustable Arc Subwoofer Array Explained
  92. How to Estimate Delay and Level Offset Between Speakers in Your 3D Models
  93. Dave Rat’s Simple Problem Solving Mindset for a Long Fulfilling Career in Pro Audio
  94. Console Prep: Simplicity is Key (FREE lesson from Guerrilla Mixing on Digital Consoles)
  95. Choosing an online mixing course: Essential Live Sound Training vs Guerrilla Mixing
  96. Should audience depth influence crossover frequency between main and sub?
  97. MYTH: FIR filters always add a lot of delay and are impractical for live sound
  98. 6 Smart, Proven Methods To Control Feedback Onstage (Without EQ)
  99. How an improperly connected motor cable arced up the chain and almost ended in disaster
  100. This iPhone App Helps Musicians Mix Themselves from Stage
  101. Spot Crossover Slopes in Smaart® and Avoid Falling Sharply
  102. 120 Minutes of Sound System Tuning Q&A
  103. Sound system design for the largest public event in Philadelphia’s history: The Eagles Super Bowl Parade
  104. Do all-pass and FIR filters cause delay?
  105. How To Tune A Sound System In 15 Minutes
  106. Fighting Microphone Feedback WITHOUT a Graphic EQ While Mixing Monitors from FOH in a Reverberant Room
  107. 3 EQ Snapshots That Will Make Your Corporate Event Mics More Transparent Using Smaart®: SM58, 185, MX412
  108. Invasion of the Phase Invaders: An Audio Engineer’s Guide to Battle Tactics and Big Scores
  109. Smaart® Beta: Will the new filter control in the delay finder help with your main+sub alignment?
  110. If Poor Speaker Choice and Placement Were a Crime, We’d All Go to Jail
  111. 3-Step Configuration Hack to Get up and Running Fast with Smaart® v8 Beta
  112. INFOGRAPHIC: Create an IEM Link Budget to Avoid RF Dropout and Overload
  113. INFOGRAPHIC: How to Avoid RF Dropout and Overload with a Wireless Microphone Link Budget
  114. 3 Common Antenna Placement Mistakes and How to Fix Them [Infographic]
  115. Real World troubleshooting tips for wireless microphone and In-ear-monitor dropouts and interference
  116. How to Time Align Your Main to Your Front Fill Using Smaart® Live IR
  117. If you’re using audio over IT, but you don’t know how it works, you will fail.
  118. 6 things I’m looking forward to at Live Sound Summit 2019
  119. What’s the difference between Broadway and Rock ‘n’ Roll to a system tech?
  120. How to maximize gain before feedback of a podium microphone using Smaart®
  121. This secret weapon will make a Profile sound like no other Profile you’ve heard before
  122. Create a sound system tuning checklist and map before your next show
  123. How to use a custom weighting curve in Smaart® and why I don’t recommend it
  124. Phase Alignment Science Academy Handbook: Introduction
  125. What is the best sounding target EQ curve to use in Smaart® on every show?
  126. 9 Smaart® shortcuts that will make your life easier
  127. I made sure every sound engineer, tour manager, and production manager knew I wanted to tour
  128. How to place and aim your stage monitors for maximum rejection
  129. What do I need to know about my speakers?
  130. How to flatten the phase for easier main+sub alignment
  131. How to practice reading phase traces when you don’t have a PA
  132. Smaart®: Tracking peak frequency without the mouse cursor
  133. Bob McCarthy: Where do I place my delay towers?
  134. Analysis: How to Tune a PA System for Live Sound
  135. Moving from Discord to Mighty Networks
  136. How Robert Scovill Got Fired by John Cougar Mellancamp and Hired by Prince
  137. What do all of those squiggly lines mean? (a short intro to the graphs in Smaart®)
  138. How To Find Work And Become A Freelance Sound Engineer
  139. Why Andrew Stone Only Mixes For Himself
  140. Stop Smaarting the Sound System
  141. 6 Most Popular Training Videos on Sound System Tuning
  142. How Jamie Anderson Saves Time in System Tuning with Smaart® Check Points
  143. Why is wireless so hard?!
  144. Recovering from Burnout and Avoiding Overwhelm
  145. Get On Tour – Download FREE for 1 week
  146. Guerrilla Mixing
  147. Tomas Wolfe and the FOH/MON Facebook Group
  148. Quick Monitor Mixes – guerrilla style
  149. You might be guerrilla mixing, if…
  150. Why Touring Sound Engineers Are Getting Paid Less
  151. Mixing Monitors for Tears for Fears
  152. Essential Live Sound Training with Scott Adamson [REVIEW]
  153. Dan Dugan and the Birth of the Automatic Microphone Mixer
  154. Bobby Owsinski: Why Do Concerts Sound So Bad?
  155. How to build your own audio analyzer (like Smaart®) for FREE
  156. Simple Ideas to Improve Acoustics in Recording Studios and Concert Halls
  157. FOH Mixing: EQ it till it sounds good
  158. Smaart is just a tool. You are the analyzer.
  159. This is why I no longer recommend turning one sub off to fight power alley
  160. Download the DiGiCo Session Setup Checklist
  161. Top 5 Common Mistakes When Using a DiGiCo Console
  162. I want to build a marketplace for corporate AV techs
  163. Everything I Feared about Digico Consoles Is Wrong
  164. Get More Work as a Live Sound Engineer by Doing What No One Else Will
  165. 5 Pro Drummers Explain How to Make a Drum Kit Quieter on Stage
  166. Review of Live Sound Basics
  167. Best Free and Paid Online Training Webinars, Courses, and Certifications for Live Sound Engineers
  168. This Is How to Find the Perfect Show Volume Without an SPL Meter
  169. My Results from 30 Days of Ear Training
  170. Get Booked Solid in Pro Audio
  171. This Marketer Will Make You Look at Your Career Totally Differently
  172. How Much Do Live Sound Engineers Make?
  173. How To Become A Sound Engineer
  174. Where do clients come from?
  175. How to Be a Self-Starter in the Audio Industry
  176. 9 Tips for Easy In-Ear Monitor Setup
  177. Americans Like a Lot of Bass
  178. One Simple Tool to Find the Right Size Speaker for Any Space
  179. Inside Pro Audio Workshop: Seeing Sound
  180. Get 12 Weeks of Coaching in 5 Minutes
  181. Find a Live Sound Engineer Anywhere in the World
  182. Lively start to ‘Surviving to Thriving’ coaching course
  183. Where do I put the measurement microphone?
  184. Audio Calculators for Sound System Tuning
  185. How to Find Polarity Problems Ruining Your Sound System
  186. 3 Phase Alignment Hacks to Make Your Sound System Tuning Easier
  187. This Is Why You Are Over EQing
  188. Meet ZOID, the sound system tuning chatbot
  189. 110 Questions about Sound System Tuning – Pt. 4
  190. Create an Explosion of Reverb for Magical Song Transitions
  191. The Amazing Capacity and Limitation of the X32 with Drew Brashler
  192. Use a Ducker to Get Your Vocals (and your kick!) in the Pocket
  193. Give Me MORE Kick! This effect saved the day.
  194. How to Update Snapshots on the SD5 in the Middle of a Show
  195. Make Space for Bass in Your Ableton Live Mixes
  196. Help, I can’t hear the vocal! Waves Vocal Rider Plugin to the rescue.
  197. 110 Questions about Sound System Tuning – Pt. 3
  198. 110 Questions about Sound System Tuning – Pt. 2
  199. 110 Questions about Sound System Tuning – Pt. 1
  200. Mauricio Ramirez: Trust your ears, not just the audio analyzer
  201. How to Mix Intuitively Using Daily Ear Training Games
  202. How to Become a World Class Audio Engineer (if I had to start all over)
  203. Mixing Monitors from FOH: 17 lessons I learned from Grealy at Soulsound
  204. 3 Simple Ways to Phase Align Main+Sub with SATlive
  205. Live Training Webinar: Gigs on Demand
  206. Do you want a job as a touring FOH sound engineer? You need to hear this.
  207. Behind the Scenes of the Ringling Brothers Circus Sound System
  208. Top 5 Posts of 2016
  209. SATlive + Thomas Neumann: Sound system tuning with a single measurement microphone
  210. SIM3 is easy. The hard part is figuring out what to do with that data.
  211. Circus Touring with 21 Channels of Sim 3 Audio Analyzer
  212. My two favorite features of the Digico SD5 faders
  213. Emergency Digico SD5 Optocore Procedures
  214. Start offering podcast production services to your clients
  215. Position Yourself for Non-stop Touring as a Stage Manager and Lighting Technician
  216. Is IATSE worthwhile for sound engineers?
  217. Networking and Referral Strategy for Sound Engineers
  218. Are you a sound engineer or an artist?
  219. Build self-confidence for better productivity with this simple habit of relaxation
  220. Growth Hack 2016: 13-Day Career Building Challenge
  221. Silence: The secret ingredient to sound design in advertising
  222. What your parents never taught you about money
  223. Don’t sell services; sell solutions
  224. Mixing the most difficult musical on Broadway: Rock of Ages
  225. SynAudCon “How Sound Systems Work” online training REVIEW
  226. ATTENTION, MUSICIANS: You need to figure out where money is made.
  227. The easiest, cheapest, most valuable technique for long-term business success
  228. Turn Your iPhone into a Wireless Microphone
  229. For Live Sound Engineers: Surprisingly Simple Tips to Prevent Back Injury on the Job
  230. SPECIAL REPORT: Sound System Design for Small Venues with Bob McCarthy
  231. 11 Professional Networking Improvements You Can Make Today to Find Work in a New Niche
  232. One Critical Skill You Need to Get Stage Theatre Jobs: How Surrey University Is Training Audio Engineers
  233. The good, the bad, and the ugly of being a Tour Managing FOH Engineer
  234. How to be Unstoppable
  235. The Graveyard Shift: How Mike Rauchfleisch Built a Thriving Audio Business by Working All-night Parties That No One Else Wanted
  236. 360˚ Interactive Live Video Streaming with Zero Crew
  237. Support Sound Design Live on Patreon
  238. Control Ableton Live from your Guitar with Wireless Bluetooth
  239. How Jim Digby and the Event Safety Alliance Can Save Your Ass
  240. Use Automation to Build Relationships with a Free CRM
  241. Decimate Obstacles like Top Touring FOH Engineers
  242. The Sound Engineer’s Path Webinar
  243. Do You Have A Clear Path To Pro Audio?
  244. Get Ready! Slow August Is Right Around The Corner
  245. What a CPA, Bookkeeper, & Business Manager Can Do for Your Business
  246. The Minimalist Guide to Budgeting (for Sound Engineers)
  247. Frequency Coordination and Antenna Placement for a Rock-Solid Wireless Microphone System
  248. 3 Simple Ways That Busy Sound Engineers Can Protect Their Hearing
  249. Important Facts about Noise Induced Hearing Loss and How to Protect Yourself
  250. Merlijn van Veen and Understandable Misunderstandings
  251. How to Be a Remarkable Sound Engineer by Being Honest
  252. Sound Girls: Karrie Keyes and Michelle Sabolchick Pettinato
  253. Multi Channel Wireless Home Theater Sound Systems
  254. What is Audio Visual Integration?
  255. Live Sound Survival: Big Sound Out Of Small Systems
  256. Dancehall Sound System and How To Mix Music You’ve Never Heard
  257. How To Become The WORST Live Sound Engineer Ever
  258. Learn To Become A Recording Engineer Online
  259. One Simple Reason I Chose To Be An Audio Engineer Major
  260. Balls Of Steel: 10 Surprising Tips For Live Audio Engineer Training
  261. Learn A Language And Get A Job 5 Times Faster
  262. Keep Calm and…Too Late: the Concert from Hell
  263. Learn from the Sound Engineers for Tori Amos, Prodigy, and The White Stripes Online
  264. Be Your Own Attorney: The Smart Business Guide For Freelancers
  265. The Poor Man’s Galileo
  266. The Sound Engineer’s Pain-Free Guide To TurboTax
  267. Opening Up The Marketplace To Sound Engineers
  268. Save $500 On Your Taxes This Year
  269. 10 Critical Tax Questions Answered For Sound Engineers
  270. Honestly, Live Audio Is Not Based On Science
  271. Kickstart This!
  272. Mixing The Biggest Festivals In Europe with Dave Swallow
  273. The Five Most Popular Posts of 2013
  274. How To Find Speaker Coverage In One Step
  275. BOOK REVIEW: Sound Systems: Design And Optimization by Bob McCarthy
  276. Tuning vs. Toning A Sound System
  277. Sound System Design And Optimization with Bob McCarthy
  278. Stealing Athlete Nutrition Techniques
  279. Behind Moldover’s Kickstarter Success
  280. BOOK REVIEW: Mediterranean Diet Cookbook For Dummies
  281. Healthy Eating On Tour
  282. Food And Drink At Work For Sound Engineers
  283. The State Of Sound Engineering In Greece
  284. Make A Living As A Sound Engineer, Part Two: How To Get Played
  285. Make A Living As A Sound Engineer, Part One: How To Get Paid
  286. Sound Design Live Podcast Greatest Hits Volume 1
  287. The Best Search Engines For Sound Engineer Jobs
  288. How To Automate Your Job Search
  289. Interview Tips: the S.T.A.R. Technique
  290. Beyond FOH: Job Search Advice For Sound Engineers
  291. Best Tips For Building A Career In Pro Audio
  292. Career Advice For Freelance Designers
  293. The Sound Design Live eBook Is Live!
  294. There’s No Such Thing As A Bad Microphone
  295. Condenser Microphone Review: Edwina
  296. Single Miking Groups On Stage With Condenser Microphones
  297. Condenser Microphones For Live Sound
  298. Condenser vs. Dynamic Microphones For Live Sound
  299. Sound Design Live eBook – FREE Chapter
  300. Sound Design Live Is Back!
  301. Easy Invoicing For Sound Engineers
  302. Show Networks and Control Systems
  303. From Highschool Dropout To Head Of Audio
  304. Larry Crane & Tape Op Magazine
  305. Cables Are Dead
  306. From Free To Fee – How To Incorporate Internet Streaming Into Your Live Event
  307. Laptops Do Not Make Live Sound Simpler
  308. It’s A Golden Age For Internet Broadcast
  309. Climbing The Ladder To Broadway Sound Designer
  310. Designing Without A Script
  311. Super Fun Instrument Design
  312. Turning Technology Into Performance
  313. Sound Design From The Actor’s Perspective
  314. Build A $100,000 Mixing Board
  315. How To Use Plugins with an Analog Console And Wireless Control
  316. Out Of Ideas? Just Add Reverb!
  317. Create Your Own Speaker Processing App + Sound Design Meets Computer Programming
  318. Sound Design for the Pulitzer Prize Winning Play “Ruined”
  319. FL Studio Rocks + Free Barbie Samples
  320. How To Mic An 800 Seat Theatre With Floor Mics
  321. Mixing For Emmylou Harris & Producing SXSW
  322. Use Subtitles To Reinforce Localization In Your Surround Sound Installation
  323. Perfect Club Sound – Dance Music Kills? – What is Serato?

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